— Earworm and Event: music, daydreams, and other abstract refrains. (in progress)
— Ludic Dreaming: How to Listen Away from Contemporary Technoculture. (co-authored w/David Cecchetto, Marc Couroux, Ted Hiebert) (Bloomsbury 2017)
- “Absolute Ventriloquy (or, Earing the Senses)“
- “Imaginary Magnitudes and the Anoriginal Hypocrisy that Vanishes in the Meantime“
— “Earworms, Daydreams, and Cognitive Capitalism,” Theory, Culture and Society 35, no.1 (2018): 141–162.
— “Listening Aside: Noise and the Aesthetics of Distraction.” In Resonances: Resonances: Noise and Contemporary Music. Edited by Michael Goddard, Benjamin Halligan, and Nicola Spelman. London; New York: Bloomsbury, 2013. (Co-authored with David Cecchetto)
— “Felt as Thought (or, musical abstraction and the semblance of affect).” In Sound, Music, Affect: Theorizing Sonic Experience. Edited by Marie Thompson and Ian Biddle. Continuum. London; New York: Bloomsbury, 2013.
— Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure. London; New York: Bloomsbury, 2013.
“Obscurity and the Poetics of Non/Sense in the Writings of Raymond Roussel and Fernando Pessoa.” (Mosaic: A journal for the interdisciplinary study of literature 45.2.
“Listening to Nothing in Particular in Contemporary Experimental Music.” Postmodern Culture 21.2.
“A Sprawling Mess: The Poetics of Musica Residua.” Radical Musicology 4.