— Earworm and Event: sound, music and other lived abstractions. (monograph under consideration w/Duke University Press, series: “Thought in the Act”)
— Ludic Dreaming: How to Listen Away from Contemporary Technoculture. (co-authored w/David Cecchetto, Marc Couroux, Ted Hiebert) (Bloomsbury 2017)
- “Absolute Ventriloquy (or, Earing the Senses)“
- “Imaginary Magnitudes and the Anoriginal Hypocrisy that Vanishes in the Meantime“
— “Streaming Consciousness: Earworms, Daydreams, and Cognitive Capitalism” (forthcoming Theory, Culture and Society).
— “The Worm Refrain: ’Pataphysical Networks and Narratives of Discontinuity in Upstream Color.” ’Pataphysics Then & Now, edited by Michael R. Taylor and Katie L. Price. Philadelphia: University of Pennsylvania Press (forthcoming).
— “Listening Aside: Noise and the Aesthetics of Distraction.” In Resonances: Resonances: Noise and Contemporary Music. Edited by Michael Goddard, Benjamin Halligan, and Nicola Spelman. London; New York: Bloomsbury, 2013. (Co-authored with David Cecchetto)
— “Felt as Thought (or, musical abstraction and the semblance of affect).” In Sound, Music, Affect: Theorizing Sonic Experience. Edited by Marie Thompson and Ian Biddle. Continuum. London; New York: Bloomsbury, 2013.
— Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure. London; New York: Bloomsbury, 2013.
“Obscurity and the Poetics of Non/Sense in the Writings of Raymond Roussel and Fernando Pessoa.” (Mosaic: A journal for the interdisciplinary study of literature 45.2.
“Listening to Nothing in Particular in Contemporary Experimental Music.” Postmodern Culture 21.2.
“A Sprawling Mess: The Poetics of Musica Residua.” Radical Musicology 4.