— Earworm and Event: sound, music and other lived abstractions. (monograph under consideration w/Duke University Press, series: “Thought in the Act”)


Ludic Dreaming: How to Listen Away from Contemporary Technoculture. (co-authored w/David Cecchetto, Marc Couroux, Ted Hiebert) (Bloomsbury 2017)



— “Streaming Consciousness: Earworms, Daydreams, and Cognitive Capitalism” (forthcoming  Theory, Culture and Society).


— “The Worm Refrain: ’Pataphysical Networks and Narratives of Discontinuity in Upstream Color.” ’Pataphysics Then & Now, edited by Michael R. Taylor and Katie L. Price. Philadelphia: University of Pennsylvania Press (forthcoming).



— “Listening Aside: Noise and the Aesthetics of Distraction.” In Resonances: Resonances: Noise and Contemporary Music. Edited by Michael Goddard, Benjamin Halligan, and Nicola Spelman. London; New York: Bloomsbury, 2013. (Co-authored with David Cecchetto)


— “Felt as Thought (or, musical abstraction and the semblance of affect).”  In Sound, Music, Affect: Theorizing Sonic Experience. Edited by Marie Thompson and Ian Biddle. Continuum. London; New York: Bloomsbury, 2013.


— Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure. London; New York: Bloomsbury, 2013.



Obscurity and the Poetics of Non/Sense in the Writings of Raymond Roussel and Fernando Pessoa.” (Mosaic: A journal for the interdisciplinary study of literature 45.2.



Listening to Nothing in Particular in Contemporary Experimental Music. Postmodern Culture 21.2.



A Sprawling Mess: The Poetics of Musica Residua.” Radical Musicology 4.